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LINARD, Jacques
French Baroque Era Painter, ca.1600-1645 French painter. He was in Paris by 1626, and his first securely attributed still-life work is dated the following year. He lived in the Saint-Germain-des-Pr?s district, where a number of French still-life painters such as Louise Moillon and Lubin Baugin worked alongside Flemish artists specializing in this genre. In 1631 he was created Peintre et Valet de Chambre du Roi, a post that guaranteed him a degree of financial independence. Linard's works of 1627-44 were mainly of fruit and flowers; with Louise Moillon, however, he was among the first French artists to combine successfully the female form with still-life elements, as, for example, in Woman with Flowers and Woman with Fruit (both Paris, priv. col., see Far?, 1974, pp. 22-3). A painting such as Basket of Flowers (Paris, Louvre) owes something to Flemish prototypes in the anachronistic grouping of flowers that span several months. Patiently recording the flowers as they bloomed, and working on the picture from a series of drawings and sketches, Linard demonstrated his commitment to working from nature. However

 

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LINARD, Jacques Basket of Flowers 67 oil painting

Painting ID::  7919

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LINARD, Jacques
Basket of Flowers 67
Oil on canvas, 48 x 60,5 cm Mus??e du Louvre, Paris
   
   
     

 

 

LINARD, Jacques Bouquet on Wooden Box fg oil painting

Painting ID::  7920

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LINARD, Jacques
Bouquet on Wooden Box fg
c. 1640 Oil on canvas, 57 x 42 cm Staatliche Kunsthalle, Karlsruhe
   
   
     

 

 

LINARD, Jacques The Five Senses sg oil painting

Painting ID::  7921

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LINARD, Jacques
The Five Senses sg
1638 Oil on canvas, 55 x 68 cm Mus??e des Beaux-Arts, Strasbourg
   
   
     

 

 

LINARD, Jacques The funf senses with landscape oil painting

Painting ID::  45592

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LINARD, Jacques
The funf senses with landscape
mk186 1638 Straburg
   
   
     

 

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LINARD, Jacques
French Baroque Era Painter, ca.1600-1645 French painter. He was in Paris by 1626, and his first securely attributed still-life work is dated the following year. He lived in the Saint-Germain-des-Pr?s district, where a number of French still-life painters such as Louise Moillon and Lubin Baugin worked alongside Flemish artists specializing in this genre. In 1631 he was created Peintre et Valet de Chambre du Roi, a post that guaranteed him a degree of financial independence. Linard's works of 1627-44 were mainly of fruit and flowers; with Louise Moillon, however, he was among the first French artists to combine successfully the female form with still-life elements, as, for example, in Woman with Flowers and Woman with Fruit (both Paris, priv. col., see Far?, 1974, pp. 22-3). A painting such as Basket of Flowers (Paris, Louvre) owes something to Flemish prototypes in the anachronistic grouping of flowers that span several months. Patiently recording the flowers as they bloomed, and working on the picture from a series of drawings and sketches, Linard demonstrated his commitment to working from nature. However